Donda, of course, would accompany him on the long drive: “Me and my mama hopped in that U-Haul van,” he rapped in 2005’s “Touch the Sky.” Their journey from Chicago to Newark is also documented in Kanye’s song “Last Call,” in which Donda herself can be heard telling Kanye, “Kanye, baby, we’re here.”Ī few years later, Simmons would capture Kanye getting into a spat with Doug Infinite when the latter felt slighted by Kanye in a news article. Kanye soon outpaced both mentors and decided to move to Newark to be closer to hip-hop’s power center.
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He was just learning how to make music, but he was the most persistent person who I’ve ever met.” “I understood, checked it out, and it was him. “Moms are always like, ‘Here’s someone that you should help,’” No I.D. Both served as Kanye’s mentors to develop his production chops and sound. Donda also helped him forge two crucial connections: to the producer No I.D., whose mother worked alongside Donda at Chicago State University and to the producer Doug Infinite, who was one of Donda’s former students. He was soon making booming beats in their house day and night. When Kanye was 14, Donda gave him a Christmas gift of $1,000, which he used to buy a new keyboard. “This, I believe, bolstered his confidence and his enthusiasm in all that he did … arrogance is in the eye of the beholder.”ĭonda’s support was far more than only emotional.
“I didn’t sit down and tell him, ‘You have to be the best.’ I just always thought he was,” she explains in Raising Kanye. Long before Kanye was rankling the public with what many deemed arrogance, Donda was happily nurturing this healthy self-esteem, believing it to be one of the keys toward success.
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This is evident in Jeen-Yuhs when Donda, unprompted, starts performing one of Kanye’s earliest high school raps, which starts out, “It’s cool to be known for my rapping ability.” She tells her son that he plays “tracks like Micheal Jordan shoots free throws,” and in part three, enthusiastically raps all of “Hey Mama,” alongside him, beaming ear-to-ear. When Kanye started rapping as a teenager, Donda was his biggest booster. Last year, Kanye built a replica of the house for his Donda listening event at Soldier Field in Chicago. In a prescient twist, their family dog’s name was “Genius.” Kanye marveled about how small the house looked to him now, joking that he could touch both walls of his room by spreading his arms. I figured I would just nurture the creativity,” she wrote.ĭonda and Kanye spent about eight years at a house on South Shore and 78th, where Jeen-Yuhs filmmaker Coodie Simmons captured them sitting on the stoops and reminiscing about that era. Donda looked at these transgressions with amusement and approval: “I never criticized him for it. He would purposely color fruit the wrong color to challenge perceptions: purple bananas, blue oranges. (“You never put no man over me / And I love you for that, mommy, can’t you see?” he rapped on “Hey Mama.”) Kanye’s artistic talent was obvious early on-he won local talent shows on a perennial basis-as was his penchant for rejecting the status quo. She and Kanye moved houses frequently, with the young Kanye alternately pushing Donda towards and away from her romantic interests. In Chicago, Donda became a faculty member at Chicago State University. But above all, Jeen-Yuhs shows how Donda West deeply shaped each of those facets of Kanye’s life and many more, serving as the driving force behind his creativity, spirituality, self-confidence, and ambition. ( Jeen-Yuhs is produced by TIME Studios, the film and television division of TIME.) The docuseries reveals many aspects of West’s career: his shattering of early ’00s hip-hop conventions his perseverance following a devastating car crash his recent political ambitions.
While Kanye has sung and spoken plenty about Donda over the years, their relationship has perhaps never been chronicled with as much clarity and emotional resonance as it is in Jeen-Yuhs: A Kanye Trilogy, a docuseries about West that arrives on Netflix on Feb.
It included clips of her speeches and a mournful 50-second a capella chant of her name. Last year, West named his 10th studio album Donda, released 14 years after his mother’s unexpected and tragic death.
Long before his debut album, The College Dropout, West wrote a song to his mother, Donda, entitled “Hey Mama,” which he premiered on The Oprah Winfrey Show in 2005. It’s far from breaking news that Kanye West is a mama’s boy.
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